For the programme Echoes of Dissent (Vol. 5) // X-Ray Hex Tet (19 – 20 October 2024, Les Ateliers Claus Brussels) and the research project Echoes of Dissent (KASK & Conservatory / School of Arts Gent), we compiled a reader. Please mail me if you want me to send a copy.
CONTENT
1. Nathaniel Mackey, ‘All Day Music’. From Nathaniel Mackey, Double Trio, New York: New Directions (2021).
2. Gregg Bordowitz & Fred Moten, ‘Precedent’. Transcribed from Some Styles of Masculinity Book Launch with Gregg Bordowitz & Fred Moten (October 2, 2021). https://www.youtube.com/watch?v=udCjZGTEwkw&t=788s (13’08-18’17).
3. Stuart Hall, ‘Conjuncture’. Transcribed from Stuart Hall: Through the Prism of an Intellectual Life (2004). https://www.youtube.com/watch?v=jY4Ve_r1PHU (media foundation transcription).
4. Nathaniel Mackey, ’14. VI. 78’. From: Nathaniel Mackey, Bedouin Hornbook (From a Broken Bottle Traces of Perfume Still Emanate: Volume 1), Lexington : University of Kentucky (1986).
5. Excerpt from Jean Lave and Etienne Wenger, Situated Learning. Legitimate peripheral participation, Cambridge: University of Cambridge Press (1991).
6. James G. Spady, ‘Interview with Sylvia Robinson’. From James G. Spady, Charles G. Lee, H. Samy Alim, Street Conscious Rap, Philadelphia, PA: Black History Museum Umum/Loh Pub (1999).
7. Aurelia Martín-Casares and Marga G. Barranco, ‘The Musical Legacy of Black Africans in Spain: A Review of Our Sources’, Anthropological Notebooks 15, no. 2 (2009).
8. Anne Carson, ‘On the Total Collection’. From: Anne Carson, Short Talks, Brick Books (1992).
9. Excerpt from Crystabel Riley, ‘Skincare/Uncare’, Beauty Papers (online) (2018).
10. Abstract from Cristiana Costa da Rocha, ‘The Limits between Exploration and Slavery in the Carnauba Wax Cycle’, Belo Horizonte 77 (2020).
11. Jacques Derrida, ‘The Law of Genre’ (Trans. by Avital Ronell), Critical Inquiry 7 (1980).
12. Marie Prince, The history of Mary Prince: A West Indian slave. Related by herself (1831)
Reader compiled by X-Ray Hex Tet. edited by Stoffel Debuysere. Design by Ran de Vos (In Vitro). In collaboration with Les Ateliers Claus, Courtisane, Auguste Orts and In Vitro, with the support of VGC (Vlaamse Gemeenschapscommissie) and Q-O2.